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Film Documentary

September 27th, 2011 by pjy1

At the suggestion of Dr. McDaniel, I viewed the documentary called “Primary” which details the 1960 Wisconsin presedential primary. In it, the video compared two presedential hopefuls: Hubert Humphrey and John Kennedy. It is important to note that the Midwest was Humphrey’s “territory” as he relied on the farmer’s votes and other rural areas. The interactions with the common citizens and their campaign styles were notably different. Humphrey was shown to visit streets and campaign on the sidewalk by encouraging passer-bys to vote for him and give his speeches to anyone who would listen. One of his stops was at a local gathering of farmers where he tried to garner their support by implying that he was the only one willing to fight for them and that the rest of the country didn’t care for the farmers. Kennedy, on the other hand, had another impact socially. When his campaign stopped in an area, children would come and swarm him for his autograph; he didn’t have to ask for someone’s attention, he was famous enough to have them give it to him. In one of his speeches, he focused on the global issues at hand, citing the need for aid behind the iron curtain and the responsibility the US had to preserving the freedom in the world. A wordly subject very different from the regional concern Humphrey was concerned over. Hubert and John had different targets for voters. Hubert relied on the local farmers while John had the urban population to back him. One citizen mentioned that Kennedy was well in the “higher-class”. The night of the voting in Wisconsin initally showed Hubert Humphrey leading Kennedy from a ratio of 2:1 in votes. However, that was due to the fact that the rural districts were completed earlier. As time went on, it became apparent Kennedy would win by about the same ratio due to the urban and city districts. What can we learn from this? Kennedy was apparently already well-known before he was President. So does that mean that fame leads to position which leads to more opportunity of fame? It could be. Washington was the general of the continental army before becoming president. Davy Crockett was well known for tall tales as a Congressman before his death at the Alamo. So where does the circle begin?

Works Cited
Drew, Robert, Dir. Primary. Dir. Robert Drew. Perf. Kennedy, John. 2003. DVD.

Focus on the Kiss (1)

September 26th, 2011 by pjy1

John Brown didn’t intend to become a martyr for the cause of slavery. His Harper Ferry plan intended to arm the slaves and fight alongside them for their freedom (Webb,5). However, due to miscalculations, the effort appeared to have been in vain. After his capture, he knew he was doomed to die. So he intended his death to be of the most use to the anti-slavery cause (Drew,59). After the initial shock of his actions had passed, Brown and his abolitionists partners set out to create a martyr out of his image.

Everything fell into place almost perfectly, the trial was shown in an unfavorable light from Brown’s injury to the obviously biased judge. Brown himself displayed no hesitation in his last days. In his correspondence with his friends in the North he accepted his role as dying as a martyr and even reveled in it (Drew,43).

But how can a man become a marytr after such a violent raid? That is where the story of the kiss comes in. Its function is to pardn Brown’s faults. Brown’s friend Sanborn claims “In heroes, faults are pardoned, crimes forgotten, exploits magnified—their life becomes a poem or a scripture—they enter on an enviable earthly immortality.”(Webb,13) The symbol of the kiss is to represent the good intentions Brown had. The supposed time it occured plays a significant part too. The story states that as John Brown is being led to his death out of jai, he stops to kiss an African child. The meaning is to symbolize that even when John Brown is about to die, he still holds to his ideas of love and freedom of slaves. With this action, his sins are forgiven in the eyes of many and his actions are deemed misguided or impractical but with good intent(Redpath, 461).

So how did this legend come into being? There is good evidence showing that John Brown quoted that he would rather have a slave mother and her children following him to the gallows rather than a priest (Redpath,457). Also, Brown was on good terms with his jailer Captain Avis who probably owned slaves and their childrens.(Drew,52) It is possible that Brown did have some interaction with a slave child. Either way, the two above fact probably combined and created the legend that is so well-known today.

The story of the kiss was the final “act” that John Brown had to do to complete his martyrdom. The “unfair” or “tragic” circumstance of his death was established already. All that needed to be done was one final reminder of his purpose along with something to wipe out or justify his “sins”. The story of Brown and the slave child fit the bill perfectly and his martyrdom was complete.

JfK research

September 21st, 2011 by lft2

I have also been to the library to look for JFK material, but because I have already reached my loaned book limit I could not check anything out. Luckily the paper that the other books are for is due on Thursday, so hopefully I can make more progress on the JFK research in the early half of next week. I have found the internet research I have been able to do to be not very helpful, since most of it is far more concerned with Kennedy’s death and assassination than with his life and public image, as I am supposed to be focusing on.  Some f the limited info I have been able to find is about hoe JFK was the first president to be ‘sold’ in the US.  He was portrayed as a war here, had biographies published (apparently someone else even wrote his ‘autobiography’), and was heavily portrayed in the media s the ideal family man, even though his marriage was fractured and he was wealthy enough t be considered far removed from the common American.  One source (although admittedly a very unreliable one that I will need to back up with a book when I can) even suggested that JFK’s father bribed scholars to write articles in his son’s name to make him seem more scholarly.  I think these suggestions bring up good points about the role of media in making legends in recent times.  Would JFK have become such a legend if his story had taken place in a slower time, like Washington’s?  Were his actions really legendary, or is he pure fabrication?  To what degree is the role of media in his image different from that of Weems’s in Washington’s?

Racism: Cause or Effect?

September 21st, 2011 by lft2

When I learned Texas history as an elementary school kid, I was taught that the Revolution was begun due to the tyranny and brutality of the Mexicans.  My teachers refrained from any outward racism, but made it clear that there was a ‘right’ side in the war that had prevailed.  Due to this portrayal, I was somewhat surprised when I read this week that the “prevailing view of the conflict since the mid-nineteenth century” was that the was a result of “anglo-racism.”  I felt almost as it I had been taught the reverse: I had never thought of the conflict as an innately racial one, but the racism had been implied in my learning with the narrow, cut-and dry representation of good vs. evil that had been portrayed in my school.

With this contemporary attitude as a reference, I can see why some believe that racism was an instigating factor in the Texas Revolution.   The Ehrenberg translation of Sam Houston’s speech certainly strengthens the case, and the belief that it was accepted at the time suggests that Houston’s racial reasoning would not have been unique.   The vilification to some degree of the Texans makes sense from a contemporary reader’s perspective: they were breaking the law, occasionally to smuggle slaves and, showed little respect for the country that actually owned the land.  I do, however, like Crisp’s argument that the theory of Anglo-racism is ‘simplistic,’ since I think simplification is the worst tendency of historians.  The theory worked because it is more defensible then the “doctrine of race,” but as Crisp argues, still uses the “same old, discredited rationale.”

I found Crisp’s argument for racism being the consequence, not the cause of the war to be very convincing, particularly his claim that many Mexicans such as Juan Seguin actually fought with the rebels, thus blurring racial lines.   Seguin’s life story, from rebel/volunteer/hero in Texas to a refugee in the land he fought for after the war makes him a perfect case study for the Crisp’s argument that racism followed the war.  Other factors, such as “disagreements over states’ rights and autonomy, exorbitant tariffs and the haphazard suppression of smuggling, inefficient and arbitrary administration of the laws, and weakness and corruption of the army” are all plausible causes, and all (including racism to some degree) probably played a part in increasing tensions.  However, as Crisp’s disproving of Ehrenberg’s translation of Houston’s speech demonstrates, there is often much more than the superficial to any story, and “Anglo racism” was not the core explanation of the Texas Revolution.

JFK: His Death

September 21st, 2011 by jrh5

I went to the library the other day to look into books about John F. Kennedy’s death and legacy, only to discover before me three bookshelves, with about 10 shelves each, simply filled with books about JFK’s presidency and death. Most of the last bookshelf was filled with ONLY books on his assassination. Due to the massive amount of books and the vague descriptions in Fondren’s catalog, I had a tough time finding books about what I really wanted to look into specifically- why JFK’s assassination made him the figure he is still seen as today, despite some plunders in his presidency as well as social life.

One of the books I checked out was a little more helpful than the others (though I’ll have to go back to Fondren to see what else I can find), as it’s main focus is, as the title says, the “Unfinished Life” of Kennedy. I actually think this is one of the reasons Kennedy became a legend– he had all this promise that was cut so abruptly short.

A man by the name of Dallek is the author of this look into Kennedy’s life and death. The vast majority of it is biographical, its many pages focusing on the life that Kennedy lived, but his final chapter, “An Unfinished Presidency”, as well as the epilogue were particularly insightful as to the reason that JFK lives on in the hearts of America.

People could tell, Dallek said, that Kennedy simply loved being president. And that rubbed off on the American people- for the most part, they loved seeing him as president. They loved seeing a handsome young man take control of the country, and foresaw for him great things. What those things may have been? It doesn’t even matter; what mattered to Americans once they heard about the shots that ended Kennedy’s life was that that bright future was gone! I think they saw Kennedy in their hearts as comparable to the nation: young, compared to the long lived European countries, but ready to make his footprints on the sands of time, ready to make a difference in the world.

So those two shots (or three) violently and suddenly blasted away that man and that symbol in 1963.

All that might have died down, though. It seems to me that the constant theories of conspiracy focusing on the Kennedy’s assassination keep him always a current topic. I read somewhere once that around a third of Americans still don’t believe we have the full truth about Kennedy’s death. The forensics are looked into in another book I have found, but only been able to skim (though I am excited to examine his evidence fully): Fuhrman’s A Simple Act of Murder.

In his introduction, Fuhrman points out that this is a case with too much information and too many variables, both laying out for the public to see. But he also insists that murder is simple once you examine the facts. It seems he plans to prove that the JFK assassination went exactly as the Warren commission found it did. The fact that he can write a whole book on this, that there are entire shelves dedicated to this in the library, that there ever had to be a commission in the first place to investigate what looked like simple murder at first… it fascinates me.

I think that’s a good topic to look into- why are we, as a nation, so concerned and suspicious about the death of a President? Would this have happened to any president, or is it special to the case of JFK?

 

Dallek, Robert. An Unfinished Life: John F. Kennedy, 1917-1963. Boston: Little, Brown, and, 2003. Print.

Fuhrman, Mark. A Simple Act of Murder: November 22, 1963. New York: William Morrow, 2006. Print.

Minority Figures- Prompt 6- My first post here

September 21st, 2011 by jrh5

In the same way that the little black girl, Gwendolyn, has been removed from Crisp’s history, figures that missed out on one of the stages of the making of history get left behind. But when figures with perspectives that differ from the majority are left out, that’s a perspective that the people of the future miss out on, and so we end up with the history that the rich white men have written. It’s the same problem with most of history– their perspective is seen as of little consequence compared to the men who believe they are making history, and so it becomes lost. To anyone looking back, from historians to the average student in a history class, this is such a loss when you’re trying to look into the time period. Such misconceptions get printed and perpetuated until myth mixes with history to the point that no one knows the difference anymore.

This is why Crisp is such an advocate of rediscovering these covered up voices. Pena could have enlightened generations as to what really happened at the Alamo, but he was shut out and so not read or thought about for decades at a time. Any mention of Juan Seguin, or any of the other Tejanos, could have clarified the role of Tejanos and Mexicans in the Revolution, but they passed by the wayside as the Alamo story was popularized and the stories of the revolution became tales of good vs evil in terms of Anglos versus Mexicans.

Our image of the Revolution could have been dramatically changed, as a nation looking back and as well as any individual, had these voices remained for all to hear. Maybe then such a dramatic dichotomy between the sides of the war would not have been created. Crisp insists that racism was not the main element behind the Revolution and the hate mail that came from people a century later to writers that ‘attacked’ their long held views, but it was still an element. This is interesting, as one considers if that hate mail might never have come if only the voices of Tejanos and Mexicans had been allowed to survive. That becomes even more of a possibility if the Disney version of Davy Crockett could somehow change to allow less of said dichotomy as well, as that is the image that seemed to stick most into people’s heads. That was the image that people saw as disrespected when writers point out inaccuracies in Crockett’s presumed death scene.

If men like Juan Seguin showed up in that Disneyland special, what are the chances that writers like Crisp would be receiving hate mail on the topics of their papers and books?

We as Americans may never know, but can only hope to try and keep such silencing from happening in the present, so voices like those men’s can be heard in the future.

Kennedy: a Catholic

September 20th, 2011 by pjy1

John Kennedy was famous for being the first (and only) Catholic President to have been elected. But why did it matter? The reason why so many paid attention to John’s religious affiliation was because of the tension between Protestant and the Catholic presence at the time.

Generations ago, the influx of immigrants of Irish Catholic flooded the East Coast. The Protestant Yankees resented their presence and felt anxious that their position over the city would soon be jeopardized. Soon, discrimination from both sides followed. And now in the mid-nineteenth century, Protestants were starting to feel that same pressure in the political arena. Catholic officials were starting to be elected in high offices such as senators or governers particularly after WW2(Burns,238).Another worry was that of the papal authority over Catholics. As stated, in the Vatican Council of 1870, the pope was infallible in all cases. Many feared that the papacy would have influence over national policy in America, a nation proud of its seperation of church and state. The anticipated spheres of influence ranged from education to medicine(Burns,239).

Kennedy himself never made a display of his religon and was firm in his belief in the seperation of Church and State(Burns, 241). As he states “Nobody in my church gives me orders. It doesn’t work that way….Besides, I can’t act as a private individual does; my responsibility is to my constituents and to the Constitution.”(Burns, 243) Ironically, many Catholic officials criticized him for pushing his religion into “private life”(Burns,247). Strangely enough, Kennedy had never faced such strong interests by others until then. He had not experienced anti-Catholic bias before(Burns, 241).

This wasn’t the first time a Catholic had ran for Presiadent. Al Smith was also a Catholic that made it clear of his devotion to seperation of Church and State(Burns,240). So what was the difference? One was the time Al ran for the 1928 presidency while Kennedy would be running more than 30 years after. That was pleanty of time for the social view of Catholics to change and allow for Catholics to adapt from their immigrant status. Another was their image. Al Smith purposely ran under the image of who he was. He presented himself as a city boy from the slums.(Burns, 252) Meanwhile Kennedy, was “a member of the Senate’s ‘inner club’, holder of a Harvard honorary degree and a Harvard overseer…..a long way from the Irish cottage and the Boston slum.”(Burns, 237)

So what can we learn from this incident? Well, learning the truth of Kennedy’s views on religion and state can help us in determining the views of others despite the rumors or what others say.  We also can see a bit more on the impact of America’s devotion to the seperation of church and state. The election of Kennedy not only shows America’s ability to stay true to its foundations but also a barrier being overcome. Studying Kennedy can show us how to overcome other barriers in society.

Works Cited

Burns, James. John Kennedy A Political Profile. New York: Harcourt,Brace &Company, 236-252. Print.

All a matter of opinion (4)

September 19th, 2011 by pjy1

The Alamo is thought to be a symbol of brave men who were willing to fight to the death in order to protect their liberty (Crisp,145). Therefore, the thought of allowing Davy Crockett a death outside of the battlefield is thought by most of Crisp’s critics to be impossible. But to see why Davy’s death at the Alamo is so important. We need to see why the Alamo was important in the first place.

It is interesting to note that the Alamo ” the building so cherised today was being used as a grocery warehouse” in dates as late as the 1870s. But the “significance” of the Alamo became apparent in Texas around the early 1900s when an influx of Mexican immigration raised the racial tension among the Anglo citizens. Anglo-Americans tried to supress the Mexicans by using methods like the poll tax and other segregation laws. Thus, the Alamo was transformed into a legend, a clear-cut legend  of Anglos vs. Mexican with no in betweens (despite the fact 9 of 11 defenders were Tejanos). The white defenders were thought of a s martyrs for a noble cause. Hutton describes cherised heroes as “always vastly outnumbered by a vicious enemy from a culturally inferior nation bent on the destruction of its people.” (Crisp, 145-153) 

What better man deserved the above the description than Davy Crockett? “King of the Wild frontier” claimed by Disney. Surely, man of his character would go down fighting than surrendur and be at the enemy’s mercy! Hutton observes strangely that the story of Crockett’s surrender and death as a war prisoner remained uncontested for the 19th century and ” was quite common..and seemed to upset no one.” Hutton sees the sudden defense of the Fess Parker disney as a “post-Disney phenomenon” (Crisp, 147),

As for my view on Davy’s death, I wasn’t born in the 1950s where he may have been the hero for my age. To me, Davy Crockett was a popular historical figure who died in a historical death. Davy’s death or how he died specifically died is not that significant in its after effects. He was no Archduke Ferdinand. In fact, his death story went unchallenged for decades until Disney (Crisp,147). Now, many fans are standing up for Davy Crockett as if they knew him by his character portrayed by Fess Parker. History is a collection irrefutable facts and truths. It is disturbing to find out that  if someone (mass media) says a believable fact (regardless if it’s true or not) and spreads it far enough, it will eventually be regarded as true. Do I care how Davy die? Not exactly. I am really interested as to what is this power over history that dictated how he died. This power,utilizing Davy’sdeath,  has created a controversy among historians, a legacy Davy himself couldn’t have done in life much less just in death.

Group Project Post #2

September 14th, 2011 by lft2

I agree with Gretchen’s post, which basically said what I meant to say in my first post and in this post, but she said it much better than I did.  I think even if JFK isn’t necessarily the most interesting figure in terms of achievements, we could find a lot of points to bring up about the nature of legends and legendary figures, which is the most important for this project.  This week I did some very superficial research on several of the other candidates such as Theodore Roosevelt and Amelia Earhart, but I don’t think they have as many talking points as JFK.  The myths she mentioned would work well for discussion, and I found some strongly conflicting love/hate opinions of him, which would be interesting to bring up in class.  I think he would be a good choice for our project.

Davy Crockett: a product of Disney’s Mind

September 14th, 2011 by lft2

         I believe that all art is influenced by the worldview of its creator, even if the work is not meant to be a direct projection of such a worldview.  Therefore, the movie Davy Crockett: King of the Wild Frontier cannot be viewed as discrete from Walt Disney’s perspective.  According to Roberts and Olsen, this perspective was politically conservative, with an emphasis on the past and stability.  Most pertinently to the subject of legendary Americans, he promoted the preservation of heroes who represented liberty and the rights of man as part of America’s “sacred heritage.”  Success, he believed, was achieved not through bureaucracy or unions, but through hard work, which could allow even the disadvantaged to rise up if they had the ambition and drive to do so.  Those who did not would fail, regardless of whatever egalitarian ideologies the communists professed.  In business, he adopted a paternal, old-fashioned, and non-regulated style of dealing with employees, which was reflected in his belief that where governments were fallible individuals could create prosperity themselves.  These convictions were manifested in the architecture of Disneyland, which was modeled at fraction of average sizes to create a world that, like the past, was “knowable, smaller, more intimate, neat, and safe.”

I think the actual nature of Disney’s worldview was determined primarily from his upbringing and other factors that do not factor into the Crockett craze or those times.  The examples given in the book, rather than actually forming his views, accentuated and reinforced them.  For instance, the bitter workers’ strike against Disney in 1941 did not give him the idea that unions were dangerous, but instead highlighted it as an issue for America that should be addressed.Similarly, the Nazi-Soviet pact did not ‘form’ Disney’s opinion that communism was morally questionable, but cemented it as a malignant practice that should be curtailed in America.  The zeitgeist of the era also contributed in shaping Disney’s worldview: during the Cold War, a need for unifying nationalism and a strong international persona was widely felt, spurring Disney and other manufacturers of entertainment to create works that would foster patriotism and faith in the nation.

As previously mentioned, I think that Davy Crockett can only be seen as an extension of Disney’s worldview.  As Robert and Olsen indicate, his perspective can be seen in the case of Red Stick’s assertion that white governments lie and Crockett’s claim that he, the man, does not, just as Disney put more faith in the individual than in the bureaucracy.  This individualism balanced with national ties was exhibited in Crockett’s treatment of the volunteer army, wherein he arrived and fought hard with everybody else but left when he saw fit regardless of what the officials told him.  In physically besting the Indians Crockett was a role model for the United States—striving for peace but not afraid to use his position of superior strength to push others in the desired direction.  Crockett also fostered patriotism among viewers by being one of the “great men” whose memory would keep America great, according to Disney.  His choice to join the Texas Revolution was a historical extension of the Truman Doctrine, which was dividing America at the time.  Disney’s belief in his own paternal management style is also championed in Crockett, with his honest, familiar colloquialisms, friendly attitude, and desire to be with his family. In this way, Crocket resembles Furstenberg’s view of Washington as a remedy for common fears of the time, as the nation was being fractured by labor issues and McCarthyism. The severity of the country’s fracturing is evidenced by the fact that just a year after the film was released, the Vietnam War began, which did create division in the population despite having shared heroes like Crockett.  Even the mere fact that the movie’s subject was a historical figure, and an idealized one at that, betrays Disney’s belief that the past was a place of greater heroes and glory than the present.  Thus, the Davy Crockett video can be said not to be influenced by Disney, but to be almost completely crafted according to his perspective.